But a pen and ink drawing can capture the shapes and forms more directly. This is often associated with medical textbooks where an artist might be required to create illustrations that show the form of a human body.Ī photograph in this case wouldn’t be very helpful. S not likely that anything I do is going to suddenly nudge opinions into into someplace they shouldn’t go on these fossils.īut as Glendon mentioned, for technical drawings, this should be high on the list as they will impact scientific knowledge. There’s, you know, 10s of 1000s of species. When I put wings on trilobites, I’m not too concerned. And so this concept of scientific accuracy isn’t high on his priority list. Glendon’s fine art combines myth and metaphor with science. A medical illustrator, if they get something wrong, that could affect someone’s real life. If I think about that giant umbrella of sci-art and, you know, and comics and medical illustration and fine art and all these different types of artwork that can go into it, a fine artist playing with concepts surrounding, say, genetics or evolution is one thing.īut that’s a very different thing if it’s a scientific illustrator who’s doing this for educational purposes. And in this podcast, he’s speaking to us in his illustrator capacity, He has been heavily involved in the sci-art community for several years, and has spent a lot of time thinking about both art and science. Glendon Mellow is the senior marketing manager for digital at Red Nucleus, a life sciences learning and development company based in the USA and Canada.īut he’s also an artist, Illustrator and community advocate. And each one has a very different perspective on the importance of accuracy. There are many different types of art that come under the art and science umbrella. The ISC’s Centre for Science Futures is exploring the creative process and societal impact of science fiction by talking to some of the genre’s leading authors. In keeping with our art and science theme, each episode in this podcast series concludes with a follow-up sponsored slot from the International Science Council. In this episode we're going to hear about why accuracy in art is important when it comes to it being used to communicate science, but that sometimes it’s okay to be playful too, as long as you make your intentions about the art clear. Hello and welcome to Working scientist, a Nature Careers podcast. The ISC is seeking perspectives from science fiction authors on how science can meet societal challenges, ranging from climate change and food security to the disruption caused by artificial intelligence. Kelly Krause, creative director at Springer Nature, explains how the art displayed on a Nature front cover comes about, and how she and her team aim to strike the right balance between accuracy, creativity and clarity to draw readers in.Įach episode in this series concludes with a follow-up sponsored slot from the International Science Council (ISC). Sculptor and ceramicist Nadav Drukker outlines the challenges of capturing string theory in art, plus other concepts that form the basis of his theoretical physics research at King's College London. ”You ask the scientists if it actually look like that?” And they say, 'Well, we don’t really know.'” It’s not likely that anything I do is going to suddenly nudge opinions into someplace they shouldn’t go on these fossils,” he says.īut what if the science changes? You need 10 to 20 years to be able to look back on data to see whether something’s accurate or not, says artist Luke Jerram, who describes a 2004 project to produce a glass models of the hepatitis C virus. “When I put wings on trilobites, I’m not too concerned. In the third episode of this six-part Working Scientist podcast series about art and science, artists and illustrators describe examples where accuracy is key, but also ones where they can exert some artistic licence in science-based drawings, sculptures, music and installations.įor Lucy Smith, a botanical artist at London’s Royal Botanic Gardens, Kew, measurement and accuracy is important, she says.īut accuracy can sometimes take a back seat for illustrator Glendon Mellow, who is also a senior marketing manager a life sciences learning and development company Red Nucleus, based in Toronto, Canada.
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